major scale / interval studies
The major scale / interval studies are basically melodic exercises to strengthen one's knowledge and abilities with the pitches and intervals of the major scale color. For example, compare the following ideas. Example 1.
| C major scale | descending C major scale in 3rds |
So, we are simply taking the pitches of the C major scale and creating a new melodic idea by permutating it's pitches diatonically using the interval of a third? Yep. Cool? In the case of thirds it is simply every other pitch. Like arpeggios? Exactly. Perhaps by trying to run this last idea through all 12 keys will give you a sense of the challenge of the interval studies. So, just how giant are the rewards for the creative artist, in technical facility, knowledge of our instruments and improving our aural abilities, by "working out" with the interval studies?
Interval studies examples. The low to high pitch range of the following ideas is quite large, simply adapt the interval motion to what ever pitches are best under your fingers.
Diatonic C major scale in major and minor seconds. Example 1.
Ascending in thirds. Example 2.
Descending thirds moving up stepwise. Example 3.
Alternating upward and downward thirds. Example 4.
Alternating downward and upward thirds and stepwise motion. Example 5.
Motion upwards in fourths. Example 6.
Motion down in fourths ascending stepwise. Example 7.
Up a fourth then up stepwise followed by motion down a fourth. Example 8.
Basically the reverse of the preceding example. Example 9.
Diatonic motion upwards in fifths. Example 10.
Diatonic motion downward in fifths. Example 11.
By fifth then stepwise then down by fifth. Example 12.
Reverse of above idea. Example 13.
Motion upward in diatonic sixths. Example 14.
Downward motion in sixths. Example 15.
Upward by sixth then by step. Example 16.
Repermutation of above idea. Example 17.
Moving in sevenths. Example 18
Motion downward in sevenths. Example 19.
Motion by seventh then by step. Example 20.
Retrograde inversion of the above lick. Example 21.
Octave motion up and down. Example 22.
By octave then step. Example 23.
Compound intervals. Compound intervals are those that exceed the span of one octave. Although usually associated with the chords / harmony, we do find the compound intervals melodically, especially in the improvisations. Continuing with the above format, the following possibilities emerge.
Upward and downward diatonic motion by major 9th. Example 24.
By major 9th then step. Example 25.
Upward and downward diatonic motion by major 10th. Example 26.
By major 10th then step. Example 27.
Upward and downward diatonic motion by perfect 11th. Example 28.
So, how to take a nice melodic idea and work it? Well, there's lots of ways. Sing the line, play the line, sing a variation, play the variation. Swing the rhythm of the line. Make it bluesy. Run part of the idea through a diatonic filter. Perhaps use the intervals, play it backwards, twice as fast, up in half steps, through a key cycle... How a particular artist works their magic with melodic ideas is what makes it "their" magic. Where to start? Listening and emulating your favorite players. Jamm along with recordings. Find an idea you dig and explore ways to shape and reshape it. Look to permutation / sequence for more "treatments" on developing your melodic ideas. Here is a beginning list of jazz titles to explore all writtin in the major tonality. Learning melodies is The source for melodic coolness, intervals and ideas. Have you been able to locate a real book yet?
| A Foggy Day | Accustomed to Her Face | All Blues |
| All the Things You Are | A Nightingale Sang in Berkley Square | As Time Goes By |
| Au Privave | Autumn in NY | Autumn Leaves |
| Billy Boy | Blue Monk | Blue Train |
| Blues Walk | Black Orpheus | Black Nile |
| Body and Soul | C Jam Blues | (They) Can't Take That Away |
| Cherokee | Close to You | Confirmation |
| Daahound | Days of Wine and Roses | Desafinado |
| Dindi | Donna Lee | East of the Sun |
| End of a Love Affair | Falling in Love with Love | Fee-Fi-Fo-Fum |
| Footprints | Giant Steps | God Bless the Child |
| Green Dolphin Street | Greensleeves | Have You Met Miss Jones |
| Here's That Rainy Day | Hey Jude | How High the Moon / Ornithology |
| I Let a Song | I Remember April | I'm Old Fashioned |
| Impanema | Impressions / So What | Infant Eyes |
| In a Sentimental Mood | Joy Spring | Just Begun |
| Just Friends | Killer Joe | Like Someone in Love |
| Lucky Southern | Lush Life | Michelle |
| Misty | Moments Notice | Moonlight in Vermont |
| My Favorite Things | My Foolish Heart | My Funny Valentine |
| My One and Only Love | My Romance | Naima |
| Nicas Dream | Norwegian Wood | Old Folks |
| On A Clear Day | On Broadway | Once I Loved |
| One Note Samba | Out Of Nowhere | Over the Rainbow |
| Peg's Blue Skylight | Pennies from Heaven | Perdido |
| Prelude to a Kiss | Quiet Nites | Round About Midnight |
| Samba D'Orpheo | Satin Doll | Scrapple From The Apple |
| Skylark | Smoke Gets in Your Eyes | Solar |
| Solitude | Someone to Watch Over Me | Sophisticated Lady |
| Spring Can Really Hang You Up the Most | Stella by Starlight | Stompin at the Savoy |
| Straight No Chaser | Strollin | Suger |
| Summertime | Swing Low Sweet Chariot | Tenderly |
| Tenor Madness | The Way You Look Tonight | Till There Was You |
| Triste | Unforgettable | Watch What Happens |
| Wave | What a Wonderful World | When I Fall in Love |
| When Irish Eyes are Smiling | When Sunny Gets Blue | When The Saints Go Marching In |
| When You Wish Upon A Star | Wildflower | Witch Hunt |
| Yardbird Suite | Yesterday |
Whats your favorite tune? What are the key intervals in it's makeup? Need a heavier interval workout and challenge? Click here.
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They who have a why to live for can bear almost any how. Friedrich Nietzsche